Thematic Analysis and Comparison of Films
Film production facilitates the process of conveying vital information to the society. Apparently, most producers have a message to pass to the world. Films do contain themes that often represent issues common in certain societies. The Color Adjustment by Marlon Riggs and A Different World by Mr. Hillman share some fundamental points of comparisons and contrasts presenting the issues regarding blacks in American settings. The paper, therefore, responds to Henrys claim that the Black urban sitcoms of the 1970s featured both the greatest potential for representing Black life in televisions history and its greatest failure based on the analysis of A Different World by Hillman.
Henrys claim approaches the movie from two different dimensions. The Black urban sitcoms are seen as possessing the ability to represent the Blacks life in the television history. Henry concedes that the films accurately represent the behavior of the Blacks in America during past times. On the other hand, he argues that the movies have failed to do the same. It implies, therefore, that there are elements of the films that support the argument while the others contradict it. The observation remains a fact since there are series of behaviors in the films that support either side. Isolating scenarios in the movie that support either side of the argument proves the main task. The movie represents an extension of American nuclear families while at the same time depicts the life issues of the Blacks. Moreover, the film shows the urban setting in the states and the poor areas of an inner city. The points, thus, confirm the controversy of the movies. On the other hand, the films fail as they use a buffoon character in representing the racist propaganda. They also present ghettos as a place where tough life remains manageable. The story is incredibly false since those who have lived in such setting could not bear the condition. Additionally, analyzing The Cosby show, particularly the Vanessas Rich episode, one concludes the failure of the films to depict real situations of African Americans. Moreover, the films fail to address the aspects of race and culture.
The movie leaves the reader with the task of analyzing various concepts that it addresses. Marlon Riggs presents the documentary, Color Adjustment, while considering racial subliminal subtexts that the viewer only notices at close examination of the film. Various shows including Amos and Andy, I Spy and the Cosby show, indicate racial inaccuracies in the film. The settings and sound characteristics show the level of racial and cultural stereotypes in the film. One remains questioning the need for representing African Americans in the film. The roles that the races play differ significantly and thus, confirm the failure of the film to represent the Blacks history. The manner in which the documentary analyses the importance of racial relations remains questionable. One concludes on its intension to perpetuate racial stereotypes and myths of the prime time entertainment. Despite the presence of African American figures in the film, the clear intention of representing the American nuclear families and the pursuit of American dream remains vivid in the film. Riggs integrates African people in the film only for the entertainment purposes. From the observation, a person concludes on the ability of the film to perpetuate racial and cultural discriminations in the modern society.
Different aspects of the Vanessa Rich episode explain various concepts of the messages the film relays. Analysis of visual and aural elements proves vital for one to comprehend the success and the failures of the film. The Cosby Shows portrayal of the Black American family proves fundamental in highlighting the concepts of the movie. The plotting of the film revolves around Cliffs challenges to use the television remote. Moreover, a conflict of interest occurs when the wife decides to watch the cooking show. On the other hand, Vanessa refuses to accept her socio-economic status. The film portrays her as capable of coming to terms with the reality by literal fighting. Theo also faces hard moments while trying to instill checkers techniques in Rudy. These observations present important concepts that the movie communicates. As a comedy, it pinpoints the socio-economic issues of the light-hearted vignettes trapped between the lives of the Huxtable family. Moreover, the television producers express their comic interest by using a fictitious scene to fulfil the demands of the audience. The manner in which the sitcom cameras work during the dialogue makes the film reach a unique level of entertainment. One remains capable of identifying the cameras cutting back and forth between the people and the screen in a medium-short range without interfering with the axis. The producer uses this situation to highlight the importance of keeping the viewers alert while the movie continues. The film also touches upon the historical times when technological level was very law explaining the video techniques that existed back then. A person watching the movies remains able to conclude on the producers intention to make them memorable to the audience.
The film also shows the life of Blacks in the televisions history through the assimilation of African Americans. Even though one may think of racism as a central movie concept, the manner in which the film integrates the African and American cultures is also clear. The presence of African Americans indicates that they have acquired the American life style. Audience has the ability to use the film in exploring the concepts of assimilation. The act of featuring African American figures in the film plays a vital role, which the directors use to convey the information about the African American history. American nuclear families readily accommodate the Blacks. They stay in common places indicating that they possess no differences.
Furthermore, the film proceeds chronologically by showing Black servants in the White families. Beulah, the Black servant, portrays a lot of devotion to her duties. Esther Rolle confirms the argument by declaring the girl a Hollywood maid of the Good Times. The movie possibly represents the first incidence of African individuals appearance on the television. It is true, therefore, that the film avails the history of African Americans. Mr. Riggs explains that the artists consider these movies the landmark shows in the Black television history. Occasionally, Mr. Riggs pauses Baldwins properly selected observations. The shows change the reaction of an audience following their intended information. The Amos and Andy show presents every character as either a clown or a crook. The producer informs the audience of some people who failed to watch the shows terming them offensive.
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The next African aspect of the film lies in the music and dialogue effects. The show brings a different version of interpreting the African culture while integrating the social interest of the community. The rhythms provide a lovely association with the historical Black community. Moreover, the availability of jazz interludes adds to the atmosphere of the film. The producer presents them in a sequential manner preceding every commercial stop. In the early twentieth century, jazz remained exclusively African American music genre. People accepted The Cosby Show when jazz spread across social settings. On the other hand, people preferred dialogue in the region. Finally, humor became a valuable component of the American sitcom. The aspect of comic art played a crucial part in keeping the attention of the audiences. It enabled the viewers to identify funny moments of the show. However, the analysis of the show reveals a lack of mindful audience. TV programs give the viewers what they can use to identify with the basic ideas. Henry Gates Jr. achieves a great success in the Color Adjustment by using clear images and sounds. The producer stresses important values of the community thereby making certain individuals interested in the show. African Americans form the group with the most interest in the show.
The film A Different World by Mr. Hillman shares various aspects of the Riggs movie. It presents controversial information concerning the representation of African Americans. People who dominate in the cultural and social aspects of the films are American families. However, there are instances when the film indicates African American values addressing their historical past. Producers leave the viewers with the opportunity to visualize the kinds of entertainment in the film. Black personalities give the show an important meaning. Recognizing peoples cultural and social preferences prove an important concept. Thus, the movie presents many associations with the African life style.
In conclusion, the two films prove important in addressing the historical perspectives of African Americans. The use of music and various personalities show the values that the producers attached to the Black society. However, the insinuation of African college and the use of African maidens prove another point of an argument. On the other hand, the use of lyrics and dialogues in the movies indicates the recognition of African American values. Any viewer has a chance of identifying the aspects of the films that portray Black people in a positive manner. Furthermore, the ghetto life represents a unique aspect of African Americans. People in such regions engage in activities that promote Blacks social values. On the other hand, the movies contradict the Blacks history through false representation. The dominance of American nuclear families shows the value that the movie attaches to the Whites. Moreover, the use of African American maidens proves the claims that the film fails in certain dimensions. Henrys claim, therefore, proves a fact that the Black urban sitcoms of the 1970s feature both the greatest potential for representing the life of Blacks and its greatest failure in the history of television.